Category Archives: Komikillers

Brain-destroying killer comics just the way we like them

Minority Jackpot: The life and times of Jill Tomahawk

Jill Tomahawk: woman, cop and Native American … Marvel really tried all the possible combinations in the 70’s, didn´t they?

I confess that the reason why I chased Red Wolf #8 was King Cycle (more about him some other day, just look at the cover below, the urgency of the “NOW! SET IN THE HOLOCAUST OF TODAY!“, brilliant stuff), but Jill Tomahawk captured my imagination by surprise.

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Much like Lucretia Jones, here we have one of Marvel’s attempts at creating “strong” women as background characters that never really took off. In Jill’s case, and as far as I know, only appeared in this issue and the next one. This is one of these cases where I feel really curious about what was going on behind the scenes, as there are just too many possible scenarios … I mean, sure, there seems to be an editorial effort to include libbed women in the 70’s, but were they aware of how many times the word “pig” (coming from a woman in reference to a man’s behaviour) appeared in Marvel Comics each month? Did they decide it was not very subtle or did they move on to the next thing?

Before we get to the Jill Tomahawk story, allow me to include another example:

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The Avengers page and Red Wolf #8 both appeared in 1973, as did the couple of Daredevil issues with Lucretia Jones (who didn’t call any man a pig, but only because she was lucky enough to work with suave Ashley Sanders). Both Lucretia and Jill disappeared shortly after from the Marvel Universe, the Scarlet Witch being too established a character for them to be able to put aside. Am I going crazy or did something happen in 1974? Maybe someone at Marvel didn’t like feminists? Or maybe it was the readers?

Anyway, this is by no means an analysis, I will leave this to brainier minds with a bit of time in their hands … I mean, there’s probably someone who wrote about this already somewhere else.

Didn’t plan to write that much (saying so little at the same time, but that’s the problem with stream of consciousness blogs), so here’s the first part of Jill Tomahawk’s story:

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You will agree with me, that’s a pretty meaty first appearance for a character you are not planning to use, but to be fair, Red Wolf was cancelled with issue 9. After this scene, Red Wolf goes back to his flat and talks to his best furry friend and gives him a piece of his mind about his new friend:

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Here’s my (very humble) tribute to all the female characters of Marvel that were forgotten in 1973 … You still live in our hearts:

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A week of art (Spanish edition): Fernando de Felipe

Let’s finish (for now, might do another one over the weekend) with another great artist: Fernando de Felipe … Unfortunately retired from comics (like German García), he seems to be working in cinema now, which is a real pity. Books like ADN and Marketing & Utopía have a lot to do with a lot of people in my generation liking comics that pushed the boundaries. His (and his writing collaborators’) characters, more than often psychotically obsessed, and the claustrophobic stories were a breath of fresh air compared to what the market was offering in the 80’s and 90’s.

In any case, another one of those creators whose work you should probably look out for. You can actually find his adaptation of Victor Hugo’s The Man Who Laughs here … And what kind of monster would I be if I didn’t recommend the brand new David Hine and Mark Stafford’s adaptation of the same story?

A week of art (Spanish edition): Javier Pulido

I am really glad Javier Pulido is back. For a moment (after the last issues of the Incredible Hulk series), it looked like he had disappeared forever, but it seems that he is back now and getting the recognition his amazing art deserves. Again, this will be a look at his early career in Spain as information about the rest of it can be found online pretty easily. It’s incredible to see all his talent was already there, in these, his first published (except for the sample) works … Enjoy!

A week of art (Spanish edition): Juanjo Guarnido

Before Juan Díaz Canales and Juanjo Guarnido unleashed the extremely beautiful Blacksad on all of us, Juanjo also did some pin-ups and covers for Comics Forum. It´s funny to look back on this now and be amazed by the artistic evolution Mr Guarnido has gone through, but some of these undeniably have a lot of charm:

A week of art (Spanish edition): Carlos Pacheco

There’s not much I can tell you about Carlos Pacheco that hasn’t been said before, originally from Spain he jumped from Marvel UK to the US and has worked on almost all the big titles and even published creator owned stuff. So, keeping that in mind, let’s take a look at his beginnings doing covers and pin-ups for Comics Forum (the Spanish publisher of Marvel comics during the 80’s and 90’s).

Here’s an assortment of his covers for Clasicos Marvel (a series that reprinted classic Marvel arcs). I guess most of you will have no problems to identify which arcs they are for:

And some other covers and pin-ups from other series:

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Posters Forum T03 [CRG spanish comics]18

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Alpha Flight de Carlos Pacheco

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